Seabiscuit
by Laura Hillenbrand
This
is the paperback edition. The hardback
edition is also available.
Excerpt
from Chapter 1 (copyrighted
material)
Charles
Howard had the feel of a gigantic onrushing
machine: You had to either climb on or leap
out of the way. He would sweep into a room,
working a cigarette in his fingers, and people
would trail him like pilot fish. They couldn't
help themselves. Fifty-eight years old in 1935,
Howard was a tall, glowing man in a big suit
and a very big Buick. But it wasn't his physical
bearing that did it. He lived on a California
ranch so huge that a man could take a wrong
turn on it and be lost forever, but it wasn't
his circumstances either. Nor was it that he
spoke loud or long; the surprise of the man
was his understatement, the quiet and kindly
intimacy of his acquaintance. What drew people
to him was something intangible, an air about
him. There was a certain inevitability to Charles
Howard, an urgency radiating from him that made
people believe that the world was always going
to bend to his wishes.
On
an afternoon in 1903, long before the big cars
and the ranch and all the money, Howard began
his adulthood with only that air of destiny
and 21 cents in his pocket. He sat in the swaying
belly of a transcontinental train, snaking west
from New York. He was twenty-six, handsome,
gentlemanly, with a bounding imagination. Back
then he had a lot more hair than anyone who
knew him later would have guessed. Years in
the saddles of military-school horses had taught
him to carry his six-foot-one-inch frame straight
up.
He
was eastern born and bred, but he had a westerner's
restlessness. He had tried to satisfy it by
enlisting in the cavalry for the Spanish-American
War, and though he became a skilled horseman,
thanks to bad timing and dysentery he never
got out of Camp Wheeler in Alabama. After his
discharge, he got a job in New York as a bicycle
mechanic, took up competitive bicycle racing,
got married, and had two sons. It seems to have
been a good life, but the East stifled Howard.
His mind never seemed to settle down. His ambitions
had fixed upon the vast new America on the other
side of the Rockies. That day in 1903 he couldn't
resist the impulse anymore. He left everything
he'd ever known behind, promised his wife Fannie
May he'd send for her soon, and got on the train.
He
got off in San Francisco. His two dimes and
a penny couldn't carry him far, but somehow
he begged and borrowed enough money to open
a little bicycle-repair shop on Van Ness Avenue
downtown. He tinkered with the bikes and waited
for something interesting to come his way.
It
came in the form of a string of distressed-looking
men who began appearing at his door. Eccentric
souls with too much money in their pockets and
far too much time on their hands, they had blown
thick wads of cash on preposterous machines
called automobiles. Some of them were feeling
terribly sorry about it.
The
horseless carriage was just arriving in San
Francisco, and its debut was turning into one
of those colorfully unmitigated disasters that
bring misery to everyone but historians. Consumers
were staying away from the "devilish contraptions"
in droves. The men who had invested in them
were the subjects of cautionary tales, derision,
and a fair measure of public loathing. In San
Francisco in 1903, the horse and buggy was not
going the way of the horse and buggy.
For
good reason. The automobile, so sleekly efficient
on paper, was in practice a civic menace, belching
out exhaust, kicking up storms of dust, becoming
hopelessly mired in the most innocuous-looking
puddles, tying up horse traffic, and raising
an earsplitting cacophony that sent buggy horses
fleeing. Incensed local lawmakers responded
with monuments to legislative creativity. The
laws of at least one town required automobile
drivers to stop, get out, and fire off Roman
candles every time horse-drawn vehicles came
into view. Massachusetts tried and, fortunately,
failed to mandate that cars be equipped with
bells that would ring with each revolution of
the wheels. In some towns police were authorized
to disable passing cars with ropes, chains,
wires, and even bullets, so long as they took
reasonable care to avoid gunning down the drivers.
San Francisco didn't escape the legislative
wave. Bitter local officials pushed through
an ordinance banning automobiles from the Stanford
campus and all tourist areas, effectively exiling
them from the city.
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Best of 2001
He didn't look like much. With his smallish
stature, knobby knees, and slightly crooked
forelegs, he looked more like a cow pony
than a thoroughbred. But looks aren't
everything; his quality, an admirer once
wrote, "was mostly in his heart."
Laura Hillenbrand tells the story of the
horse who became a cultural icon in Seabiscuit:
An American Legend. |

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| Seabiscuit
rose to prominence with the help of an unlikely
triumvirate: owner Charles Howard, an automobile
baron who once declared that "the day
of the horse is past"; trainer Tom
Smith, a man who "had cultivated an
almost mystical communication with horses";
and jockey Red Pollard, who was down on
his luck when he charmed a then-surly horse
with his calm demeanor and a sugar cube.
Hillenbrand details the ups and downs of
"team Seabiscuit," from early
training sessions to record-breaking victories,
and from serious injury to "Horse of
the Year"--as well as the Biscuit's
fabled rivalry with War Admiral. She also
describes the world of horseracing in the
1930s, from the snobbery of Eastern journalists
regarding Western horses and public fascination
with the great thoroughbreds to the jockeys'
torturous weight-loss regimens, including
saunas in rubber suits, strong purgatives,
even tapeworms.
Along
the way, Hillenbrand paints wonderful
images: tears in Tom Smith's eyes as his
hero, legendary trainer James Fitzsimmons,
asked to hold Seabiscuit's bridle while
the horse was saddled; critically injured
Red Pollard, whose chest was crushed in
a racing accident a few weeks before,
listening to the San Antonio Handicap
from his hospital bed, cheering "Get
going, Biscuit! Get 'em, you old devil!";
Seabiscuit happily posing for photographers
for several minutes on end; other horses
refusing to work out with Seabiscuit because
he teased and taunted them with his blistering
speed.
Though
sometimes her prose takes on a distinctly
purple hue ("His history had the
ethereal quality of hoofprints in windblown
snow"; "The California sunlight
had the pewter cast of a declining season"),
Hillenbrand has crafted a delightful book.
Wire to wire, Seabiscuit is a winner.
Highly recommended. --Sunny Delaney
From
Publishers Weekly
Gifted sportswriter Hillenbrand unearths
the rarefied world of thoroughbred horse
racing in this captivating account of
one of the sport's legends. Though no
longer a household name, Seabiscuit enjoyed
great celebrity during the 1930s and 1940s,
drawing record crowds to his races around
the country. Not an overtly impressive
physical specimenD"His stubby legs
were a study in unsound construction,
with huge, squarish, asymmetrical 'baseball
glove' knees that didn't quite straighten
all the... read more --This text refers
to the Hardcover edition.
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